And then I watched...
Jan. 8th, 2008 12:00 amI don't imagine for a second that the interim deal between the writers and United Artists is going to make much difference to the television situation, even if a few other small movie studios like Weinstein and Lionsgate settle. Small movie companies need written product to exist; television studios and networks have clearly calculated that they don't for a while. Which means that this is going to be a lean spring in which I will probably be a little more tolerant of mildly crappy shows than I would otherwise be.
This probably explains why I am looking forward to Torchwood in spite of the way it let me down last year, its very odd sexual politics and my serious suspicion that it is going to produce more irritating smugness both from those who like it and those who hate it than I can quite be doing with. And there is Ashes to Ashes which I am genuinely looking forward to.
Last night, of course, we had the season opener for The L-Word which has been from its inception a show that I made a compact with that I would like it in spite of its dreadfulness. Let me count the ways it irritates me - I cannot stand Bette and Tina; I do not believe that the rich professional characters, the sweet Bohemian characters and the working class characters would actually hang out all the time to the extent that they do; I think that the show's treatment of the transman Max often borders on the transphobic and I am prepared to be persuaded that it crosses that border.
There are things which are reasonable decisions - the gradual turning of Jenny into a monster of ego is amusing in a dreadful way; the running gag about the irresistable quality of Shane is often genuinely funny; I even quite liked the death of Dana - I've had enough deaths in my various circles of friends over the last few years that I felt it was a reasonable attempt to deal with loss rather than a series of Very Special Episodes.
And there are things I genuinely love - as I have mentioned before, I was part of the London gang whose chart of sexual connections the showrunners avowedly copied. I spent last season squeeing over Cybill Shepherd who is now a plump middle-aged broad and utterly gorgeous without being even a bit less than real - her sex scenes with Leisha Hailey were hotter than hot. I like Shane and Alice, and some of the minor characters. Also, the people in the show are generally cute and it features several directors I like, and at least one I used to know.
The new season? More of the same pretty much -( spoilers ).
I also watched The Cashmere Mafia. ( A show which has one of its principals say 'This is going to be fun' as the last line of the first episode is already aware of what the problem is and is trying very much too hard to ingratiate itself. )
This probably explains why I am looking forward to Torchwood in spite of the way it let me down last year, its very odd sexual politics and my serious suspicion that it is going to produce more irritating smugness both from those who like it and those who hate it than I can quite be doing with. And there is Ashes to Ashes which I am genuinely looking forward to.
Last night, of course, we had the season opener for The L-Word which has been from its inception a show that I made a compact with that I would like it in spite of its dreadfulness. Let me count the ways it irritates me - I cannot stand Bette and Tina; I do not believe that the rich professional characters, the sweet Bohemian characters and the working class characters would actually hang out all the time to the extent that they do; I think that the show's treatment of the transman Max often borders on the transphobic and I am prepared to be persuaded that it crosses that border.
There are things which are reasonable decisions - the gradual turning of Jenny into a monster of ego is amusing in a dreadful way; the running gag about the irresistable quality of Shane is often genuinely funny; I even quite liked the death of Dana - I've had enough deaths in my various circles of friends over the last few years that I felt it was a reasonable attempt to deal with loss rather than a series of Very Special Episodes.
And there are things I genuinely love - as I have mentioned before, I was part of the London gang whose chart of sexual connections the showrunners avowedly copied. I spent last season squeeing over Cybill Shepherd who is now a plump middle-aged broad and utterly gorgeous without being even a bit less than real - her sex scenes with Leisha Hailey were hotter than hot. I like Shane and Alice, and some of the minor characters. Also, the people in the show are generally cute and it features several directors I like, and at least one I used to know.
The new season? More of the same pretty much -( spoilers ).
I also watched The Cashmere Mafia. ( A show which has one of its principals say 'This is going to be fun' as the last line of the first episode is already aware of what the problem is and is trying very much too hard to ingratiate itself. )